THE LAFCO FILM BUS is coming to town! The LOS ANGELES FILMMAKERS' CO-OP
has built a film bus loaded with all you need to make and screen your
films, including editing, sound, lighting and camera equipment. YOU can
step aboard with nothing but your imagination, your story or a script,
and shoot the movie of your dreams.
At first glance, the graffiti-painted school bus looks like something
most moms would steer kids away from. But this is no vandalized vehicle--it's
a Mac-based video production studio piloted by an edgy group of Los
Angeles filmmakers working to bring movie making to a wider audience.
The bus belongs to the Los Angeles Filmmakers' Co-op, or LAFCO for
short, and it's a rolling testament to the democratizing power of personal
computers. The bus and its drivers are three months into a yearlong,
cross-country road trip focused on enabling artists in rural areas to
experiment with the medium of film. When I caught up with them, the
bus was parked next to an artist's barn near the Mendocino County town
of Albion, population 398.
LAFCO was founded by Tao Ruspoli, who in 1999 was the sole bidder
on an EBay auction for a 1985 Chevrolet Bluebird school bus. After driving
his $3,000 find from Colorado to Los Angeles, he replaced its seats
with custom-built furniture that now houses video-editing workstations.
In the back of the bus, a seating area doubles as a screening room,
complete with a ceiling-mounted video projector and surround sound audio
system. "The idea grew as people brought their visions to it," said
Ruspoli, 25. One of those people is Alfonso Gordillo, 26, a UCLA film
school graduate who helped found LAFCO and shares in bus-driving duties
with Ruspoli and a third member of the team, photographer Roger Mona
Webster.
Eloquent and Euro-handsome, both Ruspoli and Gordillo are multilingual,
and when their trip began, they made ends meet by working as interpreters
for international conference calls. Now that their travels have taken
them to areas that often lack cellular phone service, they're relying
largely on donations and video sales. They've also received funding
and advice from other LAFCO members, including independent filmmaker
Julian Dahl, who serves as a consultant to the group.
The LAFCO bus got its initial road tests in the L.A. area, where the
team toured local high schools. After longer jaunts to Tijuana and the
Sundance Film Festival in Park City, Utah, the bus was ready for its
current mission, which began at this year's Burning Man festival in
Nevada and ends there next year.
LAFCO describes this trip as a "Cine Circus." The team rolls into
town like traveling troubadours and seeks out local artists--or is sought
out by them. "We want to give artists the chance to see how their art
translates to the medium of film," Gordillo said. "We end up learning
something from everybody we work with."
Artists make most of the creative decisions behind their films, with
guidance and technical assistance from Ruspoli and Gordillo. When a
movie is finished, it's screened--in the bus, in a barn or, in one case,
in a small town's movie theater.
LAFCO's editing workstations are a Power Mac G4 and a Cube. An older
G3 system handles scanning and image-editing duties, and all three systems
are networked to one another and an iBook via Ethernet. Several high-end
video decks and four FireWire hard drives round out the mobile studio.
LAFCO shoots footage using mini-DV-format camcorders and edits using
Apple's Final Cut Pro software, which has become the high-end editing
program of choice in the Macintosh world.
Despite the technical and mechanical challenges of making movies out
of a converted school bus, the LAFCO team feels a certain liberation
in being away from film-crazy Los Angeles. "In L.A., everybody pulls
out a script when the bus pulls up," Gordillo said.
You can monitor their progress and tour the bus at http://www.lafilmmakers.org.
The LAFCO bus bears a spray-painted quote from Jean Cocteau: "Film
will only become art when its materials are as inexpensive as pencil
and paper." Said Ruspoli: "We aren't there yet--but it's within reach."
* Jim Heid is a contributing editor of Macworld magazine. He can be
reached at jim@jimheid.com.